In my last post, I mentioned that the Layers panel serves a more vital function in Photoshop than it does in Illustrator. No offense to Illustrator, of course! But there is a reason I said this. In Illustrator, unless the user makes it happen, objects …
The Layers panel is one of the most important members of the team. A lot of what goes on in Photoshop is related at least partly to which layer(s) you’ve selected. Or want to select to do stuff in. So paying attention to this, and …
An unexpected ally in making selections in Photoshop is the Paths panel. Selecting a precise piece of an image can be tedious, even for a veteran user; understanding the selection tools does not provide instant expertise, and some images have such irregular content that it’s …
One of the more subtle things we can do with an InDesign document to make it look more professional—i.e. polished, consistent, easier to read—is to use the Baseline Grid. This relates to how the text lays out and vertically lines up on the pages of …
The use of Layer Styles (also known as Layer Effects) in Photoshop is fairly easy, but can add some pretty snazzy results. One of the most visually catchy is the Drop Shadow, which can make it look as if an object is in front of …
A while back, I posted an item about text layout in InDesign. There’s another aspect of it I wanted to mention which might be of some further interest, namely kerning. This is usually the fitting-closer-together of pairs of letters whose shapes make it aesthetically possible …
Occasionally, new users of Illustrator have trouble understanding the selection tools; there are three, and each does something different. So knowing which to use for what is important. It’s not that hard to get the hang, with a little practice. The main Selection tool, usually …
When working in Illustrator, drawing with the Pen tool (producing Bezier curves) is a mainstay of many documents. (And in a couple other graphics programs, too.) But sometimes the tools that go with the Pen take a little time to get comfortable with. And the …
One of the must-have skills in Photoshop is the ability to make precise selections, since we indicate which parts of the picture we want to work with this way, and there are a number of techniques to do it. But equally important is the ability …
Having done desktop publishing since 1985, albeit as an amateur, I’ve learned a few tricks which seem to help with things like layout. And the ability to control layout has come a long way since I started. One is to understand that the appearance of …